Michael Jackson’s music needs no introduction. Whatever your opinion may be on the controversies that have surrounded him over the years, there’s no denying that he wrote some bloody good songs.
Adrian Grant’s iconic tribute show to the King of Pop, Thriller Live, celebrates Michael’s music in the most ingenious and skilled way – from Gary Lloyd’s hypnotic choreography to John Maher’s flawless band.
Tribute shows are everywhere. Whether you’re visiting your local Working Men’s Club or sitting in a bar in Spain, you’ll probably end up being treated to (or tortured by) a knock-off MJ, Whitney, Mariah, or Robbie. I’m loathed to describe Thriller Live as a tribute show because it’s so much more than that. It’s more than worthy of its 11th year in the West End, reaching its 7,000th show, and its success on tour throughout Europe.
The format of Thriller Live is what makes it so different to your typical tribute show. As the show begins, we’re introduced to the four ‘hosts’ – in this production we met vocalists Trace Kennedy, Ina Seidon, Rory Taylor and Britt Quentin. They’re supported on stage by a troupe of dancers that generally don’t stop throughout. If they’re not on stage for a rare two minutes then they’re backstage fighting their way out of one stunning costume into another. At one point there were more sparkles on Ina’s dress than there were in the stage lights.
Now, if you’re not a Michael Jackson fan then I’m not gonna lie – probably not the show for you. But if you are – even if you only like one or two tracks – then you’ll be impressed by Thriller Live. It might even touch you a little bit. I’m a die-hard fan, and genuinely cried when he died. Mainly because I’d forked out for This Is It tickets, but hey-ho. And here’s something that made me well up last night – a young girl, about nine years old, sat behind me. When Earth Song started, she went ‘this one’s my favourite!’ – so it just shows you how many generations have been affected by Michael’s music.
The show takes you on a musical journey through Michael’s years, starting at Who’s Loving You all the way up to Bad – with Smooth Criminal, Rock With You, P.Y.T and Billie Jean detours along the way.
The arrangements are magical, the choreography is just sensational (I know I’ve already mentioned that, but it needs to be said again) and the audience loved every minute. The only hint of criticism that I have personally is that some of the energy from the dancers was a little below-par – most were great though, and there wasn’t a foot out of place. I’d give it a good crack, so Gary, if you’re reading this, hit me up.
Seriously though, do not miss this show while it’s in town. Head to the Grand Opera House York before Saturday 13th July and prepare to be whisked off your feet. Click here to buy tickets.
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