By Claire Brooks
How do you introduce a show that’s been running in London since 1952; has starred legendary actors such as Richard Attenborough, Julie Walters, Miranda Hart and Patrick Stewart; was written by the iconic Dame Agatha Christie; and serves as a prime example of the ultimate murder mystery?
Well, like that I suppose.
The Mousetrap is a classic – and quite rightly so. It tells the story of young and inexperienced landlords Mollie and Giles Ralston, who find themselves opening their guesthouse’s doors for the first time – on the same night as a treacherous blizzard. If that wasn’t enough to spark nerves in the couple, then the news of a local murder would probably tip the scales. And as The Ralstons’ guests arrive – each with their own distinctive quirks and characteristics (think Cluedo) – it becomes apparent that anyone could be responsible for Mrs Lyon’s death.
I was fortunate enough to see The Mousetrap in the West End prior to this performance at the Grand Opera House, and so I knew the big secret. And I can also confirm that it translates to a touring stage immaculately. The Mousetrap’s famous set is as spectacular as ever – and creates the most stunning-yet-unsettling atmosphere.
Something that you may not expect to experience from a classic play full of murder and mystery is comedy. It’s genuinely hilarious. I laughed at points more than I’ve laughed at some stand-up performances. I have to mention the role of Christopher Wren (Lewis Chandler) in specific, as his representation of the eccentric young architect had everyone in stitches.
While I’m discussing the cast, I have to say that this was probably one of the most flawless performances from a group of actors that I’ve ever seen. Yes, okay, it’s the professional UK tour so you’d expect it to be good. But every single actor brought something unique and memorable to the stage. David Alcock‘s Mr Paravicini and John Griffiths‘ Major Metcalf in particular were standouts for me. It was somewhat confusing to see Cassandra from Only Fools and Horses (Gwyneth Strong) playing alongside a character called Sgt Trotter, but her performance as the stuck-up Mrs Boyle certainly demonstrated her versatility as an actress.
Probably the most frustrating thing about The Mousetrap is the fact that it’s so bloody brilliant – yet you can’t really talk about it. It’s like Fight Club. The first rule of The Mousetrap, is not to talk about The Mousetrap. So I’m going to have to stop there. But it’s good. Really good. It’ll have you guessing, it’ll have you laughing, and, if you’re anything like me, it’ll have you gasping in shock. Don’t miss it. #keepthesecret
The Mousetrap runs until 25th May at the Grand Opera House York. Click here to book tickets.
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