If you’re a York resident then the Theatre Royal pantomime needs no introduction. In fact, even if you’re not, it still needs no introduction. And the man behind the make-up, Berwick Kaler, is also a household name.
Now in his 40th year playing the legendary dame, Mr Kaler will be hanging up his famous brown wig on the 2nd February – when the curtains close on The Grand Old Dame of York for the last time.
And while ticket sales have never been a problem for this bonkers pantomime, the fact that this is Berwick’s last one has certainly given this year’s show a boost.
The Annual Rubbish
As you walk into the auditorium – wherever you’re sitting – you’re greeted with a dazzling atmosphere. Not from the bright and glittery stage but from the hundreds of theatre-goers that are brimming with excitement for the ‘annual rubbish’. And as the curtains come up, we’re not left disappointed. A traditional pantomime opening follows – complete with show tune references and beaming dancers. The standard of the dancing and choreography is once again perfect – not so elaborate that it takes away from the tongue-in-cheek personality of the show, but certainly of a highly professional level. And they haven’t gone for the ‘cute factor’ when choosing local little’uns to join the adults on stage – they’ve chosen genuinely talented kids that add to the spectacle.
Berwick’s highly anticipated entrance was received with huge applause as he uttered the immortal words: “Me babbies, me bairns!” – even though long-time co-stars Suzy Cooper and Martin Barrass try to steal the line earlier on in the show.
The first act is filled with the kind of nonsense (said with utmost affection) you’d expect from a Berwick Kaler production. From forgotten lines to broken stair lifts; delayed sound effects to classic slapstick comedy – it’s definitely entertaining.
The Final Curtain
And it only gets better in the second act. We’re of course treated to the annual ‘filum’, showing Berwick and the gang wreaking havoc once again on the streets of York, as they test the acting skills of York residents. The show, of course, culminates in a mad fight to grab a coveted Wagon Wheel. You’d think they were throwing £50 notes going by the way the audience dive over each other.
I must also state here just how brilliant regular villain David Leonard is at working the audience and ad-libbing. He’s consistently demonstrated his ability to be a loveable baddie in his 29 years of Berwick pantos, but I felt he was exceptional this year. Similarly, I don’t think Suzy Cooper gets enough recognition. She had me doubled up with laughter, and also ad-libs with humour and control. Needless to say she’s also a brilliant triple-threat with a fantastic vocal and dances with grace.
Overall The Grand Old Dame of York oozes in Yorkshire-ness. It’s hilarious, relevant – and in some cases quite close to the bone. Look out for the dig at Brexit, an ever-so-catchy song sheet featuring a tune that most parents don’t want to hear ever again, and a talented youngster whose tongue-twisting lines put the grown-ups to shame. Just remember to bring the tissues – a sold-out house giving a standing ovation to one man is certainly bittersweet in his final year.
The Grand Old Dame of York runs until 2nd February at York Theatre Royal – but be quick if you want tickets! Seats are extremely limited. Book now at www.yorktheatreroyal.co.uk.
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